Weekend

PCMR Verdict: Not straight, but very forward, 'Weekend' is intense, intimate, tightly scripted and beautifully realised. Features two excellent central performances and tells the story of a single weekend that will change two lives.

PCMR Rating: 8.5/10

'Weekend' is the story of two guys who meet on a night out, sleep together, and spend an intimate weekend in each other's company. Russell is a quiet, unassuming, straight-acting lifeguard, while Glen is confident and extroverted, and although he is fully comfortable in his homosexual shoes (You can get gay shoes now? - Ed) he's perhaps not so happy in his professional life as an aspiring artist.

After waking up together the morning after a meeting in a night-club, they initially bond after an early exchange involving one of Glen's art projects, where he puts a tape recorder under Russell's nose and invites him to describe their more intimate moments from the night before.

This is a pretty intense form of ice-breaker, but it sets the tone for much of the exchanges between the two as the weekend progresses. Their chats cover a lot of personal ground in quick time: previous relationships, coming out, confidence, the desire to settle down, but all these discussions serve to ramp up the intimacy between the two, as they quickly learn about each other, and grow to realise that they might be genuinely compatible.

However, when Glen reveals that he is moving to the States on the Monday, the two men are faced with some difficult choices, especially as their meetings and discussions increase in their intensity, and they become closer. Gradually and inevitably, Monday morning begins to loom large between the two. Will Glen pluck up the courage to leave for the States to follow his dream, or will he stay and take a chance on this fledgeling relationship? Will Russell ask Glen to stay at the expense of his dream move, or risk losing the first man he has been genuinely intimate with? Whatever the outcome, the two men both gradually begin to realise that this will be a defining weekend for both of them.

What Andrew Haigh has crafted with the script of Weekend is a real achievement. These two characters are so finely nuanced that they are true and real, even in the brief time we spend with them. Cullen and New are both excellent, with Tom Cullen in particular providing an understated, but affecting performance that should comfortably provide a platform for a career. Chris New is also excellent though, and the portrayal of their gradually developing relationship is a credit to them both. In what is essentially a romantic drama, the success of the movie depends on their chemistry, and they certainly embody a completely credible couple, complete with fragility, fights and, well.. the physical side! It's all unashamedly up there on screen.

I'll be honest folks, I really loved this one, and heartily recommend it. I can only compare it to 'Lost In Translation' as a reference point, but this is a far braver, more honest piece of cinema, and genuinely deserves your attention. Two central performances of genuine courage and a tightly directed, beautifully realised script make this unmissable for PCMR. Trust me, it's going to win some awards.