Blades of Glory

The verdict: Cracking stuff, Heder and Ferrell are a superb double-act, and this is laugh-out-loud funny.

The rating: 7/10

Man, just lately it seems Will Ferrell can do no wrong. He's top of PCMR's list of Hollywood funny men, with 'Talladega Nights' and 'Stranger Than Fiction' both providing seriously good entertainment in 2006. Next off the production line is a movie that sounds so formulaic that it just couldn't be any good.. right? The premise of 'Blades of Glory' is really quite simple: two men figure-skating as a pair. Now, there is the potential for a comedy turd here, and in the hands of the wrong cast, this might have been an offensive Rob Schneider vehicle waiting to happen. Thankfully, some inspired casting, an excellent script, and just the right dose of Ferrell's brand of improvisation have turned Blades of Glory into what might just be the best comedy of 2007.

Ferrell's co-star, Jon Heder, is probably best known for his iconic performance as 'Napoleon Dynamite', but here he plays the skating wunder-kind Jimmy MacIlroy. Jimmy was plucked from an orphanage age 4, adopted by a millionaire horse-trainer turned human-trainer, and given the kind of training montage Rocky would be seriously proud of.

Jimmy's main rival is Chazz Michael Michaels (Ferrell), a sex addicted tornado (his words) and the only champion figure skater to win an adult movie award. Whereas MacIlroy's routines are graceful and delicate, with Sarah Brightman's voice to accompany his twirls and pivots, Michaels' is all about tha masculinity, baby. His moves are all pelvic thrusts flame-throwing and fist-punching, and are more likely to be accompanied by something by Aerosmith than Andrew Lloyd Webber.

The two are naturally fierce rivals, but fall from grace when they are banned from the sport for fighting on the Olympic winner's podium, when they tie for a Gold medal. Disgraced, they each follow their own downward spiral until three and a half years later, when Jimmy's stalker points out that he has only been banned from figure skating in his own division... meaning pairs skating is an option.

A chance encounter between MacIlroy and Michaels leads to another public scrap, and this one is caught on tv by MacIlroy's former coach. When he sees these two idiots throwing each other round a room backstage in some regional ice-rink, he gets the idea to pair the two of them up, and things start kicking off from there.

These two characters couldn't be more different, but the spark between the two leads is excellent, and they work extremely well together. No-one does angry bickering quite as well as Ferrell, and for the first half of the movie, his scenes with Heder are just a constant sequence of jibes and digs, with not all of them making perfect sense. Heder holds his own though, and this performance bodes well for his future, which looked bleak when 'Benchwarmers' was released.

The bickering scenes in this one reminded of the scene in 'Talladega Nights' where Ferrell's Ricky Bobby sparred with Sacha Baron Cohen's gay French Nascar driver, and the two were barely restraining their genuine laughter. I got the same sense of enjoyment from the two main actors on this one.

Ferrell's moments of improvisation are dotted around this movie, but the script is also genuinely good, with many memorable moments - the sex addicts meeting springs to mind, or Chazz Michael Michaels describing his love for his hairbrush, or the JFK and Marilyn Monroe routine, all quality. Also, the direction and special effects are excellent, capturing the details of the performances on the ice brilliantly, including close-ups of the two leads disgusted faces during some of the more intinmate moments of their routines. This part of the comedy, which could have been a homophobic disaster, is subtle and never over-played.

There are some recognisable faces in the support cast too. Rob Corddry from the Daily Show has a wee part, Romany Malco from 'The 40-Year-Old Virgin' also turns up, and 'Arrested Development's Will Arnett has a great turn as one half of MacIlroy and Michaels' main rivals: the creepy and weird Stranz Van Waldenberg.

Ferrell seems to be working his way through popular sports for his source material at the moment, with NBA basketball next on the list. Semi-pro is out next year and sees Ferrell star alongside Woody Harrelson (excellent! - Ed) and André Benjamin, otherwise known as André 3000 from Outkast (hmmm - Ed). Heder's been busy lately too, with three more movies coming out this year. (And he can draw ligers... mwa haaa - Ed)

In the mean-time, PCMR is bigging up 'Blades of Glory' as a comedy of genuine quality, and wonders, how long can Ferrell's dynamite run last? He's overdue a turkey, but this ain't it. Two hearty thumbs-up from me and a recommendation to go see this one.

Stranger Than Fiction

In an earlier review of another Will Ferrell movie - Talladega Nights - I portentously predicted that 'Stranger Than Fiction' would be the 'Truman Show' moment of Ferrell's acting career. In other words, after capably demonstrating his ability to do comedy in all its mad-cap hilarity, Ferrell was about to dip his toe into more serious waters, much like Jim Carrey did to critical acclaim in 'Man on the Moon' and to more widespread audience approval in 'The Truman Show'. Now both those movies had an effect on Jim Carrey's longevity, but the effect of audience reaction to The Truman Show on his career cannot be understated. It's impossible to know if Carrey would even have been considered for 'Eternal Sunshine of the Spotless Mind' had he not played Truman Burbank so, well, straight. In Eternal Sunshine, there are very few moments where Carrey plays for laughs. In fact, much of his character's screen-time is spent in earnest, haunted pursuit of Clementine, the girlfriend who has tried to erase her memories of his very existence. This is a long way from prat-falls and rubber-faced gurning, and is by a very long way Jim Carrey's best movie.

There's definitely something about a comic actor turning in a respectable dramatic performance that really appeals to audiences. Even Adam Sandler has done it, in his career-best movie 'Punch-Drunk Love', a bittersweet, off-beat comedy that deserved a lot more love than it got. Sandler played a soft-spoken lonely guy, browbeaten by his family. He has a real desire to better himself, although he perhaps lacks the capability or the social skills to achieve this goal. His story in Punch-Drunk Love is enthralling and beautifully filmed, but his performance is surprisingly subtle and eminently watchable, a galaxy far far away from 'The Waterboy'.

Will Ferrell can do comedy, of that there's no question. 'Anchorman' is anarchic, sexist, irreverent and Ferrell is at his manic best. In 'Talladega Nights' however, he showed his ability to really carry a movie, and gave a glimpse of something more under the surface of the lunacy.

While I might have predicted that 'Stranger Than Fiction' was going to be the Truman Show moment of Will Ferrell's career, I'm going to modify that prediction. Stranger Than Fiction is a better movie than The Truman Show. I would more readily compare it to 'Eternal Sunshine'.

I don't say this lightly. 'Stranger Than Fiction' is a complex, nuanced story which swerves between comedy and tragedy in a manner as sure-footed as double o'seven doing parcours. The driver of the story is essentially Harold Crick's (Will Ferrell) realization that he has begun hearing a narrator in his mind. As he brushes his teeth, this narrator describes his thoughts, and as he crosses the street, the voice describes the squeaking of his shoes.. all very innocuous and amusing you may think, until the narrator mentions Harold's imminent death.

Harold's reaction to the news sends him on an enthralling and unpredictable path. His quest to find the author of the story he's appearing in sends him first to the Human Resources manager in his company for a chat, and then quickly to a psychiatrist. But Harold is a serious guy, and Ferrell does not play the character for laughs. He appears genuinely unsettled by this turn of events, and although the idea is fantastic, it is grounded well in reality by Ferrell's performance, as he never over-reacts, even when he tries in vain to make the voice speak..

Ferrell is ably supported in Stranger Than Fiction. Dustin Hoffman is excellent, and shares some of the funniest moments in the movie with Ferrell. Emma Thompson, too, is in excellent form, and this may be the best performance I've ever seen her turn in. (I don't really do Jane Austen though, so I might be wrong about that!).

Maggie Gyllenhall, too, is really lovely in this one. Having only seen her in the decidedly strange 'Secretary', I wasn't certain what to expect, but she appears to be the real deal, and delivers a balanced performance, despite her character perhaps not being the strongest in the movie.

Where Stranger Than Fiction really delivers though, is in the script. The plot appears at first to be a conventional comedy, but very early in the movie we move from 'Bruce Almighty' territory to more alien terrain: we suddenly become sympathetic to Ferrell, and concerned to see how his situation will pan out. His performance is pivotal in this regard, and I believe this is his biggest success in a role where, generally, he is playing it straight. From the moment where Ferrell's character takes a holiday from his job, the movie unravels enthrallingly, with equal moments of tension, emotion and humour. The narrative is evocative of something Charlie Kaufman might have produced, but on one of his better days. 'Being John Malkovich' was clever, and 'Adaptation' also played with narrative, but in my opinion, the devices employed in 'Stranger Than Fiction' are more successful than in either of the two Kaufman movies. The difference being that the narrative never becomes confused or fantastic. The plot is always immediate, linear and has a very definite beginning, middle and end. More like Spotless Mind in fact, but with a plot device that is more readily acceptable to a movie audience in that a voice-over is normally used in much more mundane ways to move a plot forward.

The fact that I'm comparing Stranger than Fiction to 'Eternal Sunshine' in favourable terms is an indication that I really liked this movie. I'm a big Charlie Kaufman fan, and this movie is definitely inspired by, or indebted to Kaufman's work, perhaps with a little of Wes Anderson thrown in. This is no bad mix though, as long as the execution is good. Well, happily, Zach Helm's script is well rendered by director Marc Forster, and the acting is excellent. This movie is intelligent, funny, and will leave you wanting more. Perhaps it's a little early to add it to the favourites list just yet, but 'Stranger Than Fiction' is definitely in the same ball-park as 'Eternal Sunshine' and 'Punch-Drunk Love'.

Even if you don't like Charlie Kaufman, and thought Eternal Sunshine was drivel, I would urge you to go see 'Stranger Than Fiction'. It will surprise you. If you are a Charlie Kaufman fan, and enjoyed 'Eternal Sunshine', I have no doubt you'll enjoy this movie too.


The Verdict: It's great. Go see it.
The Rating: 9/10

Talladega Nights: the ballad of ricky bobby

'Saturday Night Live' has a lot to answer for. Hollywood would have had a whole lot less comedy classics in its repertoire were it not for the likes of Ayckroyd, Murray, Belushi, Myers and co. But it seems the latest graduate from the hit-and-miss American comedy show is really starting to look like something of a Hollywood bigshot. Talladega Nights: the ballad of Ricky Bobby, co-written by Ferrell, was a massive hit at the U.S. box office, raking in around $50 million in its opening weekend alone. Should we be surprised at his apparently sudden meteoric rise to his current position of the top banana comic actor in tinseltown? Well, for me, I've never been against Will Ferrell, when I think of his scene-stealing turn in Old School and the excellent Anchorman I can't really stay mad at him for long!

Talladega Nights is a comedy about Nascar racing featuring Will Ferrell as a dumb Southern guy named Ricky Bobby, and Sacha Baron Cohen (yep, Borat..) as his gay French nemesis: Jean Girard. Do I even need to say much more? This movie is not a surprise package by any means, and delivers exactly what it promises. Leave your brain at the cinema door folks, it's gonna get a bit dopey round these parts... and that's exactly what makes Talladega Nights so enjoyable!

Farrelly Brothers comedies went through a bit of a purple patch in the 90's with Dumb and Dumber, Me, Myself and Irene, and of course There's Something About Mary. However, I sometimes felt that the level the Farrellys were aiming for meant that the best moments of those movies were a little diluted by interludes of pretty basic farce. What all of these movies had that made them appealing though was a genuine heart at the centre of all the lunacy. Cameron Diaz was at her wholesome best in 'Mary', Rene Zellwegger actually married Jim Carrey after 'Irene', and Dumb and Dumber.. well, sometimes the most complex genius just can't be explained!

'Ricky Bobby' has a slightly different brand of comedy than you would see in a Farrelly Brothers farce, but there is a similar thread of genuine emotion running through the movie, even if it is very definitely tongue in cheek, and never even coming close to the territory of schmaltz. (There's no 'Scrubs' style voice-over summing up the lessons at the end, don't worry!)

Jim Carrey's prat falls and gurning created his own niche in Hollywood which rapidly became a genre, and his comic style polarised audiences. You either loved him or hated him for his over the top, rubber-faced physical comedy... and then came 'The Truman Show'. After that 'Eternal Sunshine of the Spotless Mind'. It seems Jim had something to prove, and it could be argued that he shown he can be a serious actor.

Ferrell has made a few comedies at this stage, and has a couple of very big box office hits to his name. However, his next outing looks like it may be the 'Truman Show' moment of his career. 'Stranger Than Fiction' has the look of a good one folks, and I may even find my way to the cinema to have a look.

Back to Talladega Nights though, and here Ferrell is convincing, but not just as a dumb redneck caricature of a race-car driver. He convinces by virtue of the fact that much of the dialogue exchanged by the characters in the movie has his anarchic signature, and is the better for it. His performance is nothing like an early Jim Carrey flick, and the best lines in the movie aren't childish catchphrases, but rather have the feel of something more improvised and spontaneous than that. It's this improvised feel that gives Talladega Nights a kind of unique atmosphere. You get the sense the actors are enjoying themselves, especially in Ferrell's scenes with his best buddy, John C. Reilly.

I had always associated Reilly with tragic characters, but I blame Paul Thomas Anderson for that. If you've seen Magnolia or Boogie Nights, you'll know what I mean. But in this one, he is genuinely funny, and seems to really relish the freedom offered by a comic role. The out-takes in the end credits of the movie give some hints to how many liberties he took with his dialogue, worth staying in your seat for! The relationship between himself and Ferrell is an important one, because it's really the lynch-pin of this movie. Some of their conversations are priceless, watch out for Reilly helping Ferrell say grace near the start..

Sacha Baron Cohen delivers a solid performance as Ferrell's gay French Nascar nemesis, and his big entrance in the movie is worth the admission price alone. He has some of the best lines in the movie, and handles the weighty responsibility of being Ferrell's foil with aplomb. He'll have done his Hollywood credentials no harm with a hit this big under his belt, and now that Borat has hit the stratosphere, we can expect to see more of his Hollywood adventures in the near future. Watch out for him alongside Johnny Depp in Tim Burton's musical version of Sweeney Todd, coming soon, I kid you not folks.

The supporting cast are all decent, with Ricky Bobby's two young sons in particular delivering some classic lines.. until they get disciplined by Ricky's momma that is. That guy from Anchorman and Thank You For Smoking, David Koechner is in there, amongst a few other familiar faces.

But to be honest, Ferrell steals the show in Talladega Nights. He's not a guy who will polarise audiences in the same way as Jim Carrey, and his comedy is more anarchic than ridiculous, so he'll have a broader appeal than old rubber-face as a comic actor. However, if Stranger Than Fiction sits well with cinema audiences, his Carrey-esque departure into more serious stuff might happen sooner than it did for Jim..

Fear not though, for if you think Ferrell is giving up dumb sports comedies to follow his thespian aspirations, you are sorely mistaken. He's already done soccer (Kicking and Screaming) and Nascar (Talladega Nights), but he's got a basketball (Semi-Pro) and an ice-hockey movie (Blades of Glory) in the pipeline, and neither look like they'll be garnering too many oscar nominations just yet. So in the domain of the MTV movie awards he'll stay for the moment, and to be honest, that's fine by me, as long as the quality stays around the level of Talladega Nights.

Overall, The Ballad of Ricky Bobby is generally good for a laugh, and the level of comedy is broad enough to appeal to most, without ever aiming for the lowest common denominator, like the Farrellys - albeit expertly - might have done. You won't be edified culturally by this movie, but fuck it, sometimes movies are just about entertainment... so shake and bake, baby! Yeah! Woo! U! S! A!

The Verdict: Good solid fun.
Rating: 7/10